Archive for the 'How to Get Published' Category

POD Lets Authors Resolve The Catch-22 of Publishing

Thursday, December 10th, 2009

Many thanks to Joe Shaw, Executive Editor, for allowing me to excerpt the following article from The East Hampton Press and The Southampton Press. The article was written by Tom Clavin and published on December 8, 2009.

The Cure For Jet Lag by Lynne W. Scanlon and Charles F. Ehret, Ph.D., was published more than a quarter-century ago. Yet it could well represent the future of book publishing.

A Springs trio teamed up this year to issue an updated version of the book using the print on demand—or POD—process. Indeed, with a growing number of writers making use of the POD method, Publishers Row may be moving from Manhattan to the East End, which for many years has already seen its share of writers, editors, and agents.

“This area is a hothouse of creative types, from writers to artists who can benefit from print on demand books,” stated Lynne Scanlon, the co-author of The Cure For Jet Lag.

“These folks will gravitate to POD not only because it is the most expedient way to produce a book, but because literary agents and editors could care less about un-established writers these days.”

But don’t the authors of books published in non-traditional ways risk acquiring a sort of stigma as not really being professional writers, thus giving agents a reason to steer clear? “Good luck finding an agent if you don’t already have one,” Ms. Scanlon said. “That’s the Catch-22 of publishing.”

Her career in publishing has included being a marketing executive with Barnes & Noble and a book publishing consultant in addition to an author. In 1983, she collaborated with Charles F. Ehret, Ph. D.,  who had been conducting research underwritten by the U.S. government to reduce the problems associated with long-distance air travel. The original goal was to make the U.S. Army’s rapid deployment forces more effective.

Dr. Ehret himself served in the Army’s 87th Infantry Division and won a Bronze Star and Purple Heart in the Battle of the Bulge. With Ms. Scanlon doing the writing for lay readers of the results of Dr. Ehret’s research, Overcoming Jet Lag (the original title) was published.

It was a success when issued by the Berkley Publishing Group, selling more than 200,000 copies worldwide and remaining in print for more than 20 years. Sales eventually faded, but problems with jet lag did not. Last year, Ms. Scanlon wanted to release an updated edition of the book, but did not want to wait the 18 months or more it would take a traditional publisher to have new books on shelves. There was also a financial incentive: After publishers and agents and book wholesalers get their slices of the pie from a $20 book, the author’s slice may be as thin as $3.00.

Ms. Scanlon worked out an arrangement with with Dr. Ehret’s estate and founded Back2Press Books, which specializes in republishing titles that have sold in excess of 100,000 copies. Naturally, The Cure for Jet Lag would be the company’s first effort. There would be no long editing and production process nor any danger of printing thousands of copies that might not sell. The new edition would be printed on demand and be readily available on the internet (www.thecureforjetlag.com) as well as at the major chain bookstores and selected shops.

What is POD, other than the dreaded form of the infestation in “Invasion of the Body Snatchers?” The plain language answer is that it is a digital printing technology that allows a complete book to be printed and bound in minutes. This makes it easy and cost-effective to produce books in small lots rather than in large print runs. What has long bedeviled traditional book publishers is the practice of “guestimating” how much a title will sell: if the prediction is wrong, a publisher has to warehouse or even destroy tens of thousands of already-printed books.

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PRESS RELEASE: Back2Press Books Launched—New Imprint Seeks Unhappy Authors Whose Books Failed After Selling 100,000+ Copies

Wednesday, April 23rd, 2008


Contact: Lynne W. Scanlon
Cell Phone: 917-685-9128
Land Line: 631-907-9001
Email: Publisher@back2press.com
Website: www.back2press.com

BACK2PRESS BOOKS LAUNCHED

FOR

“THE 100,000+ CLUB”

—Authors with Books that Sold 100,000 Copies Can Apply—

—No Bookstore Sales Planned—

Why are authors whose books sold over 100,000 copies often not happy? Because many have asked themselves: “If my book could sell 100,000 copies, why not a million?”

According to Lynne W. Scanlon, founder and publisher of the new imprint, Back2Press Books, the answer is that it could have … and it should have … and it still can.

“The problem is that publishing companies are content, even ecstatic, if a book sells more than 10,000 copies, let alone 100,000. Rarely do they continue to promote a proven bestseller at the expense of the newer books currently in the pipeline. After months or even years of helping to fill the publisher’s coffers, the 100,000+ bestseller eventually dies an unnatural death from negligent homicide,” says Scanlon.

Back2Press Books is inviting authors or their heirs to submit books to be considered for repackaging and republishing. The provisos:

  1. The book must have sold over 100,000 copies.
  2. The rights must be held by the author or be able to be reversed.

(Back2Press Books can help secure the reversal of rights, if necessary.)

Back2Press Books was launched in 2007 by the author of Overcoming Jet Lag, a nonfiction book previously published by Berkley Books that sold over 200,000 copies and received thousands of testimonials from international travelers, including executives in The White House.

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Wannabe Author Syndrome: Cheap, Craven & Conned? How $300 Can Get a Writer a Brutally Honest Manuscript Review

Friday, March 2nd, 2007

I am so tired of hearing unpublished writers (I won’t call a writer an author until he/she can actually show me a bound book or a buyable online version) wail about not being able to find a literary agent or get published or get readers to buy direct. Last night I practically leapt across a dinner table to throttle a wannabe author because he simply could not or would not absorb what I was telling him—that what he desperately needed was someone to assess his book and let him know if it was good or bad.

Over the main course I listened politely to the very familiar saga of an 80,000 word novel that had taken three years to write and that was destined to turn his life around as soon as his literary genius was revealed to all. Over dessert I nodded encouragingly at the synopsis of the story. Over coffee I braced for what I knew was coming next. Would I read the manuscript?

NO! The answer is NO. I will not read a total stranger’s manuscript. I will not spend hours and hours curled up reading a manuscript or an online book unless I know the writer and for personal reasons want to make the time available to read his book. I consider reading a manuscript, any manuscript, A LOT LIKE WORK.

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